The Importance of Being Earnest

By Oscar Wilde

Cooperation between S.O.S., the student theatre group of the English and American Studies Department and the Kammerlichtspiele Klagenfurt

Jack loves Gwendolen. Algernon loves Cecily. But Gwendolen and Cecily love Earnest. Because only the name Earnest triggers the right ‘vibrations’ in them. No problem – a quick renaming solves that, think the smitten gentlemen. If only there wasn’t the problem of the ‘right’ origin. Because Jack cannot produce a family tree that Gwendolen’s mother considers adequate. And Algernon has such a wild past that permission for a marriage seems impossible. And then shenanigans ensue in ‘earnest’.

Directed by Sabine Kristof-Kranzelbinder

Ort: Kammerlichtspiele Klagenfurt, Adlergasse 1, 9020 Klagenfurt
Datum: 01., 02. Feber, jeweils 19 Uhr
Eintritt: Freiwillige Spende
Infos: www.kammerlichtspiele.at

GUEST LECTURE SERIES IN IRISH STUDIES: J.M. Synge in Context by Prof. Dr. Ondřej Pilný

BIODATA

Ondřej Pilný is Professor of English and American Literature and Director of the Centre for Irish Studies at Charles University, Prague, as well as a Distinguished Senior Lecturer at the Anglo-American University in Prague. His recent publications include Ireland: Interfaces and Dialogues (ed. with Radvan Markus, Daniela Theinová and James Little; WVT Trier, 2022),  Cultural Convergence: The Dublin Gate Theatre, 1928-1960 (ed. with Ruud van den Beuken and Ian R. Walsh; Palgrave, 2021), The Grotesque in Contemporary Anglophone Drama (Palgrave, 2016) and the thematic journal issue “Revisiting Brendan Behan” (ed. with Nathalie Lamprecht, Litteraria Pragensia 34.67, 2024). Ondřej Pilný’s translations into Czech include plays by authors from J.M. Synge to Enda Walsh, and Flann O’Brien’s The Third Policeman. He is a past Chairperson of IASIL (International Association for the Studies of Irish Literatures) and a former Vice-President of EFACIS (European Federation of Associations and Centres of Irish Studies).

 

ABSTRACT

The lecture will offer a survey of the work of John Millington Synge, a principal playwright associated with the Irish Literary Revival, discussing the controversial reception of his plays in the broad political and aesthetic context of the Ireland of his day, including the notorious ‘Playboy riots’. Finally it hopes to position Synge’s work in the European context, discussing early productions of his plays in the Czech Lands and Germany, as well as the discussions of the national theatre between the Abbey Theatre directors and Karel Mušek, Synge’s Czech translator and producer of his dramas in Prague.

The Turquoise Elephant

Event Details

Eine Familie, viele verschiedene Ansichten: Kapitalismus trifft „Armchair-Aktivismus“ trifft Weltuntergangsvoyeurismus. Und dann mischen auch noch Klimaaktivist*innen mit – während die Welt tatsächlich ihrem Untergang entgegen torkelt. Das schwarzhumorige, erschreckend aktuelle, preisgekrönte Stück des australischen Autors Stephen Carleton ist die erste Arbeit der neu gegründeten „Drama Group of the English Department of the University of Klagenfurt – S.O.S.“. Regie führt Sabine Kristof-Kranzelbinder.

 

Ort: Ort: Kammerlichtspiele, Adlergasse 1, 9020 Klagenfurt
Datum: 29., 30. Juni, jeweils 20 Uhr
Eintritt: freiwillige Spende
Infos: www.kammerlichtspiele.at

Coffee- Talk zum Tag der Geschlechterforschung mit Eva-Maria Graf

I shouldn’t have to try hard to fit in: A discursive analysis of women’s accounts of their performance in gendered organizations.

Eva-Maria Graf, Melanie Fleischhacker, Joanna Pawelczyk, Agata Janicka

Gendered organizations typically “create a climate” where women (as minority members or tokens) are not assumed to “quite fit” and are thus expected to be not as competent as men (the dominants) (Ridgeway et al. 2022: 645). This creates increased pressure on women not only to perform according to the prescribed policies and regulations, i.e., to do their job flawlessly, but very often to work beyond what is expected of them, i.e., to over-perform (Yoder 1991). The question remains whether such (over-)performance suffices for these women to develop a sense of felt inclusion and to be recognized as legitimate members of the organization.

Drawing on Discourse Analysis and Conversation Analysis, we qualitatively unpack the complexity of how women’s performance is perceived and received in highly gendered masculine organizations. Our data sets are in-depth, semi-structured interviews with U.S. military women and dyadic coaching interactions between a coach and female leaders working in (technology and reinsurance) business. Assuming that gender-based inequality regimes produce “markedly different experiences” (Flores & Bañuelos 2021:111), we examine these women report on their experiences regarding ‘doing their job’, i.e., performing their organizational duties. Our analysis reveals a problematic (self-)perception and reception of women’s (over-)performance that may have real-life consequences for their career(s). Women’s accounts allow us to both demonstrate how the organizational climate of ‘having to fit in’ is constructed as well as identify various practices of how these women orient to that climate. The accounts also reveal women’s immense labor of coping involved in that process (Ridgeway et al. 2022) and that the practices of (over-)performance do not secure women’s sense of acceptance and inclusion in highly gendered organizations.

On a more general note, our talk is part of a larger research project on “Discourses of (not-)belonging: Exploring women’s experiences of functioning in highly masculinized socio-cultural contexts using discourse analysis.” The overall focus is on how language and discourse(s) are used to express, (co-)construct and enact gendered propositions and gendered identities across various linguistic, socio-cultural, and professional contexts. Concretely, the project focuses on ‘executive coaching’, ‘football’ and ‘military’ and analyzes women’s lived experiences and coping strategies there. The goals of our project are to make women’s experiences and their coping strategies in these contexts visible by linguistically analyzing how these are framed and accomplished during real-time talk-based interaction and as reported by them during interviews. Second, to compare such lived experiences and strategies to carve out similarities and differences across these diverse communities-of-practice. Third, to critically relate these more specific socio-cultural experiences to more macro-discursive (Western) norms and ideologies in the context of gender hierarchies and essentialized gender orders with the aim to help counterbalance such negative experiences by giving an ear to those (still) discriminated against in institutionalized and professional settings.


Eva-Maria Graf is Assoc. Professor of Applied Linguistics at the University of Klagenfurt. Her research interests are helping formats with a special focus on coaching and psychotherapy, sports and linguistics as well as gender and sexuality and their (de-)construction across language and discourses. She applies conversation analytic, discourse analytic andmultimodal analyticmethods.

 

Date: 5.12.2023

Time: 14:00 Uhr

Place: Oman- Saal